The Most Fabulous Movie Outfits of All Time
图片来源：上海大学 –巴黎国际时装艺术学院
电影有一种动人的力量， 通过人物服装和配音的变化，让我们仿佛置身于梦幻的场景中。因此最好的电影总是引人入胜， 电影人物的遭遇我们都能感同身受。 电影制作在主要人物的服装选择则和搭配上要花大量的精力， 服装搭配可以设定电影的基调和情绪， 也能帮助我们对人物形象有更直观的了解。 让我们一起，从最早1977年一直到今天的经典电影中， 发现那些最好看的服装搭配。
Movies have this power over us, transporting us into a dream-like state with their multiple outfit changes and soundtrack. It’s for this reason the best films are ultra captivating, allowing us to feel like we’re experiencing everything the characters are going through. So much time is spent on wardrobe and costumes for the leading ladies and for good reason. Clothes help to set the tone and mood and also give us a first impression insight into who this character is and what we can expect from them. It’s time to take a trip through the decades and explore the most iconic movie outfits of all time, from 1977 through to present day.
《安妮·霍尔》里的戴安·基顿
Diane Keaton in Annie Hall
图片来源：上海大学 –巴黎国际时装艺术学院
Diane Keaton（美国演员）是中性风格的教母级人物， 在导演Woody Allen的这部电影中， 她的服装都是自己选择的。她标志性的风格是纽扣衬衫， 马甲和高腰裤，让她的荧幕形象栩栩如生， 电影上映后， 她的风格影响了很多女性和设计师。 Diane觉得女主不一定要为了性感而穿得性感，所以她在电影中穿得严严实实，然后通过自己的演技和风格来抓住观众的心。Diane Keaton的风格包括了男性化的腰带， 大码剪裁精良的夹克和纽扣衬衫。
Diane Keaton, the OG of androgyny, actually insisted on choosing her own outfits for her role in Woody Allen’s Annie Hall. Her iconic style of button down shirts, waistcoats and high waisted pants really made her character come to life and has been a source of inspiration for women and designers since its premiere. Proving that leading ladies don’t have to dress ultra sexy in order to appear sexy, Diane showed no more than a hint of a wrist, ankle and neck and yet was able to truly captivate her audience through her style just as much as through her acting ability. Her key styling included masculine belts, oversized tailored jackets and shirts buttoned right to the top.
《赎罪》里的凯拉·奈特莉
Keira Knightley in Atonement
图片来源：上海大学 –巴黎国际时装艺术学院
Keira Knightly（英国演员）在电影《赎罪》中惹眼的春蔓绿礼服让人过目难忘。这件礼服完美贴合身体， 走过图书馆长裙发出轻轻的沙沙声，极具现代感的廓形， 即使在今天依然不会过时。这件礼服由 Jacqueline Durran设计， 曾被天空电影频道（Sky Movies）评选为“史上最佳影视服装”。实际上， 这种绿色无疑是最安全的，既与众不同， 又充满魅惑，恰好呼应了电影的风格。这部电影中Jacqueline Durran的服装设计无疑是很大的亮点， Knightly的其他很多搭配也值得细细品味。
How could forget that dramatic ivy green evening gown Keira Knightly wore in Atonement. The dramatic swish of the skirt as she walked through the library, the impeccable fit and the fact that this rather modern silhouette somehow still seemed to work in the time period. The gown was designed by Jacqueline Durran and was even voted “Best Costume of All Time” by Sky Movies. In fact, this particular shade of green was no accident, ivy green being the color of jealousy and temptation, two major themes throughout the story. Durran’s dress certainly took center stage when it comes to the costumes used throughout this period drama however Knightly’s other costume changes were stellar choices too and shouldn’t be overlooked.
《女生向前走》里的科尔斯顿·邓斯特
Kirsten Dunst in The Virgin Suicides
图片来源：上海大学 –巴黎国际时装艺术学院
这是Sophia Coppola（美国导演， 代表作《迷失东京》）不太著名的一部电影， 电影里的服装简直像是Chloé的广告，充满了轻盈飘逸， 女性化的花朵图案和娴静端庄的风格。Kirsten和电影中她妹妹的每套服装都是飘逸轻柔的，即使图案和廓形都很老， 依掩盖不了一种纯洁的青春气息。 在一部自杀题材的电影中，这种风格的服装显得更加突出。电影传递的是天主教的价值观念直接反映在情节中， 过度保护的父母试图把女儿们和混乱的外界隔离开， 但是适得其反， 更让孩子们更压抑，从而产生了自杀的念头。 撇开电影的黑色基调不谈， 电影中的服装充满了夏日风情，喜欢飘逸裙子的人一定可以找到很多的灵感。
A lesser known film by director Sophia Coppola, The Virgin Suicides wardrobe could easily be part of a Chloé campaign thanks to the floaty dresses, feminine florals and demure tone. Every outfit worn by Kirsten and the girls who play her sisters is ethereal and dreamy yet innocent and junior despite the senior prints and silhouettes. The costumes stand out so starkly in contrast to the theme of suicide but also reflect virginal and catholic values which is in direct correlation to the plot of the film where over protective parents decide to isolate their teenage daughters from the wicked world which in fact only increases their thoughts of suicide and depression. Aside from the dark tone of the film, the costumes are the epitome of Summer fashion and all the inspiration you need to rock a floaty dress every day of the warmer season.
《蒂芙尼的早餐》中的奥黛丽·赫本
Audrey Hepburn in Breakfast at Tiffany’s
图片来源：上海大学 –巴黎国际时装艺术学院
毫无疑问， 《蒂芙尼的早餐》是史上服装最优秀的电影之一，电影中标志性的服装搭配远不止一套。 说心里话， 即使赫本穿一只垃圾袋也能光彩照人， 我们更喜欢的是赫本的整体感觉， 上东区的风格和她无拘无束的个性和她秘而不宣的过去形成了对照。 如你所见， 电影中最经典的服装莫过于赫本的无袖黑色连衣裙，搭配大量的珍珠，及肘的长手套，大码太阳镜， 当然还有广为人知的高髻盘头。 赫本不仅在电影里把优雅的晚装穿成了日常服装， 而且在有一幕， 赫本扮演的Holly穿着睡衣起床应门，一般人恐怕都是穿着旧T恤或者睡衣吧， 睡眼惺忪的赫本依然化着精致的妆容和蓝色的蒂芙尼眼影（当然了这是电影， 所以一点也没有脏），穿着白色的男式衬衫， 袖口卷了起来，自然流露出赫本的个人风格， 就连耳塞上也有好看的流苏，郑重地说， Holly应该是荧屏上最洒脱最时髦的女性了。
Of course, in Breakfast at Tiffany’s has got to be one of the most fabulous movie outfits of all time, especially since there are multiple iconic outfits throughout the entire film. Let’s be honest, Audrey could wear a trash bag and still look flawless but we adore how her put together, upper east side style contrasts against her haphazard personality and the secrets of her past. Arguably the most iconic outfit in the movie is Audrey’s timeless sleeveless black dress, styled with an abundance of pearls, elbow length gloves, oversized sunglasses and of course her famous updo hairstyle. But it’s not just her glamorous evening for daywear look that deserves recognition. At one point in the movie, Audrey’s character Holly is awoken from a deep sleep and having to answer the door in her nightwear. For most of us that means an old t-shirt with holes in it or kitchy matching pajamas but not for Audrey. Sleepy eyed she still has her makeup on under a Tiffany blue eye mask (and of course this is a movie so it’s not smudged at all!) and sporting a stylish white bib night shirt, the cuffs falling back on themselves just so. Even her ear plugs have fancy tassels on them, it’s official, Holly Golightly is the most stylish woman ever to have lived.
《独领风骚》中的艾丽西亚·希尔维斯通
Alicia Silverstone in Clueless
图片来源：上海大学 –巴黎国际时装艺术学院
回到90年代， Alicia Silverstone在青春片《独领风骚》中扮演Cher Horowitz，和那个歌手Cher Horowitz同名， 这让Alicia面临不小的挑战。好玩的是， 电影里她最好的朋友也“Dion”也和另一个歌手同名， 她们一起跳出各种时尚创意， 穿闺蜜款搭配。 电影里Cher从衣橱里挑一套衣服时， 连接的高科技电脑就会出现她穿这套衣服的样子，喜欢时尚的人看过《独领风骚》都不会忘记那种艳羡的心情。 然后就可以看到她选了电影里最经典的一套：黄色格子短裙西装套装， 搭配及膝长袜和针织羊毛衫。
Throwing back to the 90’s, Alicia Silverstone played Cher Horowitz in the teen movie Clueless, named after the singer of course, leaving her big boots to fill. Thankfully she has her best friend named after another famous singer “Dion” by her side to bounce fashion ideas off and match outfits with. Any fashion lover who watched Clueless when it first came out will remember the utter jealousy you felt watching Cher pick out her daily outfits with her state of the art closet that connected to her computer, allowing her to see what that outfit would look like on her body. It was this moment that we saw her choose her most iconic outfit of a yellow checkered skirt suit, complete with knee high socks and knitted cardigan.
《油脂》中的奥莉维亚·纽顿-约翰
Olivia Newton-John in Grease
图片来源：上海大学 –巴黎国际时装艺术学院
当我们看到电影末尾女主Sandy穿着紧身连衣裤的，都会被震撼。 电影里Olivia扮演的Sandy一直是一个傻白甜的形象， 一直到了这一刻，通过这身黑色的套装把性感发挥到了极致。其实为了穿出最佳效果， Olivia特意把裤子的尺寸改小了。所以下次你穿紧身裤发现臀部效果不佳， 你知道怎么做了吧！
I think we all got chills multiplying when we first saw Sandy come out in that skin tight cat suit at the end of the film. The rest of Olivia’s character Sandy’s outfits had been sweet and innocent up until that point, driving home the sex appeal of this all black ensemble even more. Olivia actually had to be sewn into the pants part of this outfit in order to get this look just right so bare that in mind the next time you try on a pair of skin tight pants that’s aren’t hugging your rear the way you expected them to!
上海大学巴黎国际时装艺术学院（Shanghai University - MOD'ART International），成立于2003年，被外界誉为”上海时装界的黄埔军校“，是国内第一个在上海创办的中法合作时装设计学院，国内率先引进奢侈品营销与管理专业。受到中国服装协会、中国服装设计师协会、中国国际贸易促进会纺织行业分会等专业社会团体的支持。
